Devised theatre doesn’t start with a script—it starts with people. In this episode, we break down the messy, magical process of creating theatre from the ground up: improvisation, collaboration, and the power of making meaning together.

Works Cited

• Fontana, A., & Frey, J. H. (2008). The interview: From neutral stance to political involvement. In N. K. Denzin & Y. S. Lincoln (Eds.), Collecting and interpreting qualitative materials (115–160). SAGE Publications.
• Schechner, R. (2003). Performance theory. Routledge.
• Freire, P. (1993). Pedagogy of the oppressed (M.B. Ramos, Trans.; New rev. 20th-Anniversary Ed.). Continuum.
• Boal, A. (2002). Games for actors and non-actors (A. Jackson, Trans., 2nd ed). Routledge.
• Ferreira, M. K. L. (2013). Acting for indigenous rights: Theatre to change the world. University of Minnesota Human Rights Center.

More Information

For a complete transcript or to read the entire dissertation visit https://aura.antioch.edu/etds/1131/

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